If you only take one piece of advice from me, it should be this: If someone, anyone says to to something like, hey, I've got an extra ticket to U2, would you like to come? Say, yes. Do yourself a favor and say yes.
Let me start this by saying that while I'm a huge music fan, I'm not a huge live music fan, especially of live rock music. Why?
Well, I think sometimes it goes on too long and I get bored. But most of the time, I just can't deal with the crowd who think they are show and their singing is more important for people around them to hear than the artist. That said, there are a few notable exceptions (and here you'll see my extensive Aussie bias).
When I lived in Melbourne, I was lucky enough to see a number of great acts including the incomparable INXS while http://www.michaelhutchence.org/seven.shtml">Michael Hutchence was still alive and singing (twice actually, once at Festival Hall and once with about 1000 people and the University of Melbourne Student Center) and before they lapsed in the absurd world of reality TV and have become (at least in my eyes) a global joke. Granted, I have limited experience compared to many of my peers, but no one I have ever seen compares to INXS. The only thing that comes close is erstwhile front man for Midnight Oil and now Federal Member of Parliament for the seat of Kingsford Smith, Peter Garrett, perhaps the most energetic performer ever.
But last night's concert has made me rethink everything. While INXS pre 1997 might have been the best in an intimate setting, it's hard to imagine them putting on a show and holding an audience in a massive arena like U2 can. U2 just has so many songs, so many great songs, anthems really, that everyone, even casual fans like me, knows. Many of these songs are so powerful when you hear them in combination with the light show, which I will describe later, it's awesome.
Plus Bono is an icon in a way the few performers, Michael Hutchence included, are. He stands for something greater than himself and his songs, for human rights, for abolishing poverty, for forgiving third world debt. Bono has become so entwined with his political activities that it's impossible to separate them from his music, which is fine, because they are all the more powerful along with such a tangible message.
Case in point, before U2 played "Running to Stand Still", Bono gave a preamble where he described something that happened during the Zoo TV tour when they set up a TV station and were broadcasting from Sarajevo in the middle of the siege. During one show, he was interviewing this beautiful woman who was taking part in the Miss Sarajevo contest, a beauty contest in the midst of the snipers and the shelling, an act of defiance and then we he launched into the song, an image of a woman (the woman?, I don't know) was projected on a massive strand of clear beads hanging from the ceiling and she was reciting the first seven articles of the Universal Declaration of Human Rights.
Universal Declaration of Human Rights
Article 1.
All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.
Article 2.
Everyone is entitled to all the rights and freedoms set forth in this Declaration, without distinction of any kind, such as race, colour, sex, language, religion, political or other opinion, national or social origin, property, birth or other status. Furthermore, no distinction shall be made on the basis of the political, jurisdictional or international status of the country or territory to which a person belongs, whether it be independent, trust, non-self-governing or under any other limitation of sovereignty.
Article 3.
Everyone has the right to life, liberty and security of person.
Article 4.
No one shall be held in slavery or servitude; slavery and the slave trade shall be prohibited in all their forms.
Article 5.
No one shall be subjected to torture or to cruel, inhuman or degrading treatment or punishment.
Article 6.
Everyone has the right to recognition everywhere as a person before the law.
Article 7.
All are equal before the law and are entitled without any discrimination to equal protection of the law. All are entitled to equal protection against any discrimination in violation of this Declaration and against any incitement to such discrimination.
Let me describe the stage. Imagine an catwalk in the shape of an oval about 100 feet long by 50 feet wide (roughly the size of a basketball court, if that helps). In the top half of the oval, there was a circular stage where the instruments were set up. The bottom half of the oval, shaped like a finger nail, was filled with fans. There was system built into the stage so that it could be ringed with color, on the inside, the outside and in concentric circles in the stage. The color could be solid, any color or it be pulsed or sent flying around the perimeter. Every song was different. Then there were lights. A bank of 18 white light around the top part of the stage would come top life during the climax of a song. Other banks of lights hung behind the stage and could be raised and lowered as needed. Then there was this string of clear beads, or so it looked to me, hanging behind the stage on which all sorts of images were projected from the woman I mentioned above to a series of Kanji characters to animation of a man walking to random colors. Banks of massive flat screen TV monitors were in the rafters above the stage trained on the band members of sometimes just showing Bono from 4 different angles. It was amazing.
They come on after the opening reggae act (mediocre) around 8:15 and played until after 11 including 2 encores. The only real dissappointment was that they didn't play my favorite U2 song, Lemon.
I'm tired of writing about this, but the last thing I want to say is that going to see U2 reminded me, inevitably, of a scene from Bret Easton Ellis' American Psycho:
But when I sit down something strange on the stage catches my eye. Bono has now moved across the stage, following me to my seat, and he's staring into my eyes, kneeling at the edge of the stage, wearing black jeans (maybe Gitano), sandals, a leather vest with no shirt beneath it. His body is white, covered with sweat, and it's not worked out enough, there's no muscle tone and what definition there might be is covered beneath a paltry amount of chest hair. He has a cowboy hat on and his hair is pulled back into a ponytail and he's moaning some dirge--I catch the lyric "A hero is an insect in this world"--and he has a faint, barely noticeable, but nonetheless intense smirk on his face and it grows, spreading across it confidently, and while his eyes blaze, the backdrop of the stage turns red and suddenly I get this tremendous surge of feeling, this rush of knowledge, and I can see into Bono's heart and my own beats faster because of this and I realize that I'm receiving a message of some kind from the singer. It hits me that we have something in common, that we share a bond, and it's not impossible to believe that an invisible cord attached to Bono has now encircled me and now the audience disappears and the music slows down, gets softer, and it's just Bono onstage--the stadium's deserted, the band fades away--and the message, his message, once vague, now gets more powerful and he's nodding at me and I'm nodding back, everything getting clearer, my body alive and burning, on fire, and from nowhere a flash of white and blinding light envelopes me and I hear it, can actually feel, can even make out the letters of the message hovering above Bono's head in orange wavy letters: "I . . . am . . . the . . . devil . . . and I am . . . just . . . like . . . you . . ."
The story devolves typically into trim-coordination and other absurdities.
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Amazingly, (actually, not really since I predicted it), the guy sitting in front of me who was taking pictures with his compact digital all night . These are not the best shots in the world. The resolution is weak and he was holding the camera in one so there is considerable camera shake, but it will give you a good sense of our seats (bad) and the stage lighting (outstanding).